When it came to matters of editorial policy in the early years of publishing Dickinson’s poetry, providing titles for the poems was one area on which Mabel Loomis Todd disagreed with Thomas Wentworth Higginson.
“Upon this subject,” wrote Todd, “we never wholly agreed.”
‘Twas Higginson who was pro-title, by the way.
Before I disclose the titles for the four poems (“I meant to have but modest needs,” “I lost a world the other day,” “The bee is not afraid of me,” and “A little road not made of man”), let me mention one of Higginson’s titles that has always baffled me – and you can let me know if I am being too persnickety about this. The poem is “Because I could not stop for Death.” Higginson dubbed that poem “The Chariot.”
Of course, as “the Horses’ Heads / Were toward Eternity,” I could see where Higginson might envision a chariot. However, in the third line of the poem, Dickinson clearly states that Death’s mode of transportation was a carriage, not a chariot.
Am I nitpicking?
I digress. Back to the four poems for the “play-at-home challenge”:
For the poem “I lost a world the other day,” Higginson suggested the title “A WORLD WELL LOST”: “Thereby to my mind,’ Todd protested, “entirely misrepresenting the thought.” Todd compromised with Higginson, and they used the title “LOST.”
For “The bee is not afraid of me,” Higginson suggested “AT HOME.” Todd noted in her journal, “the gist of that poem lies in the last two lines, which ‘At Home’ never touched.” Todd won that battle, and no title was used.
“One more title I had to strike out because it did not apply,” wrote Todd, was “IN THE WOOD” for the poem “A little road not made of man.” Todd noted that a road in the woods was not intended, but instead “that airy highway whereon a bee and butterfly pursue their invisible business.” Again, no title was provided.
How did you do with your titles? If you matched all four with Higginson’s suggestions, then congratulations! You have just won a 1970 four-door AMC Gremlin – your choice of color – with a Levi jeans interior!
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