My family lived in Omaha, Nebraska, and on this particular evening, I can remember RACING down the street to a neighbor’s house – and I mean I was sprinting at full speed.
Just prior to my mad dash, I’d been playing outside, and I remember wondering where all the other kids were. It was like a ghost town with no one else around. Suddenly, it dawned on me. A new animated television show was to premiere that night, and everyone had been invited to one particular kid’s house to watch it. This was unheard of at the time – a cartoon playing at night! I couldn’t miss it!
I took off running, and fortunately, I made it in the nick of time. I recall cramming onto the jam-packed floor of the living room to watch the debut of “The Flintstones.”
| AN ASIDE: Can you believe I’m two months away from turning – are you ready for this? – seventy-years old. I know, I know – I don’t look a day over sixty-nine, right? As a kid, I can remember how ancient I would be at the turn of the century – and now I’m twenty-six years beyond that! Tempus fugit! Back to the Stone Age & my youth. I have one other distinct memory from the Flintstones. I can remember an episode where Fred views a painting, grimaces a bit, and then says, “Well, I don't know what the artist got for painting that picture, but if you ask me, he should've got life.” LOL. I thought that was so funny! |
AN ASIDE: When I ran my search on that bit of dialogue, I learned this trivia about the Flintstone’s ancestry: Fred’s paternal side of the family originally came from the prehistoric state of Arkanstone where they had been engaged in a feud similar to the Hatfield–McCoy feud. The feud began when one of Fred’s ancestors mocked a Hatrock family portrait, quipping, “I don’t know what the artist got for that painting, but he should’ve gotten life!” The feud is finally ended in this particular episode, “Bedrock Hillbillies,” when Fred helps rescue Pebbles and a Hatrock baby, only to have it all start up again when Fred cracks the same joke as his ancestor.
I do believe, though, that Fred Flintstone was much too critical about the work. He didn't seem to grasp the painting's novel qualities, which include the subject's enigmatic expression, the monumentality of the composition, the subtle modelling of forms, and the atmospheric illusionism.
Ohhh, let’s pump the brakes here a minute –
So how would you rate the three Monas so far? Great? Good? Bad?
What if I threw in Mona Brady? Would you moan “Mona, Mona, Mona”?
So where am I going with all of this? Well, remember that Fred Flintstone quip about the painting of Mona Hatrock? While I was in Boston, in addition to my time in the Dickinson Room at the Houghton Library, I also visited the Museum of Bad Art, and I researched -- yes, you got it -- BAD ART.
| AN ASIDE: Is there really such a thing as “bad art”? Evidently, it's complicated! Take a look at this essay, HERE. It begins with this: |
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More posts from my trip are here:
07.28.2026: NOT YOUR GARDEN VARIETY, CLICK HERE.
07.27.2026: THE TROUBLES WITH EMILY, CLICK HERE.
07.26.2026: THE MAN WHO BLOGGED TOO MUCH, CLICK HERE.
07.25.2026: STRANGE TURNS ON A TRAIN, CLICK HERE.
07.24.2026: HOW SWEETEST IT IS, CLICK HERE.
07.23.2026: A DATE WITH DESTINY, CLICK HERE.
07.22.2026: THIS – IS THE BLOG POST – THE SUNSET WASHES, CLICK HERE.
07.21.2026: DOUBLE ETERNITY, CLICK HERE.
07.20.2026: THE ORACLE WORE A WHITE DRESS -- PART DEUX, CLICK HERE.
07.19.2026: ALL THINGS MATTER, CLICK HERE.
07.18.2026: INTRODUCTORY PLOG POST ABOUT "DIAL 'EM' FOR EMILY," CLICK HERE.
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